Dave Griffin

Welcome

Hi there! Welcome to our little corner of the web. This blog is mostly about images - both still and moving, plus the occasional musings and observations surrounding my photographic and multimedia projects... and every once in a while the occasional standing on a soapbox in case anyone might be listening.

For even more random stuff, you can follow me on Twitter (davegriffin) ... when it is working.

The photography here can be found at dmg-photography.com, plus some other ongoing projects:

Lightroom 2 fixes uneven stage lighting

I just finished processing last night’s Stone Mountain LIVE show (a rather eclectic tribute to the music of the 1950’s).

The Stone Mountain Arts Center is renown for its live music and sound system (as it should be) — less so for the stage lighting.   When you have a large group playing, and they often do, the performers off of center stage drop into the shadows (easily a one-stop drop).

While editing the photographs I realized that Lightroom 2’s new graduated neutral density (GND) filter tool might easily tune the wider-angle stage shots and bring it closer to what an audience member would see.   Now, doing this kind of exposure adjustment was always possible in Photoshop, but I don’t have the time to go through that process for what could be dozens of photos.   With Lightroom I set up a half-stop increase in the exposure and set it at an angle — almost as if I was adding a light to the stage.  The result created a much nicer balance (see the sample image below).  And I could sync this adjustment to the photos that needed it, fine tuning the position of the filter for the composition of each shot.

I’ve done some other work with the LR2 local adjustments, diddling with the masking tool, and I’ve found some uses for that — but for my workflow I think the graduated neutral density filter adjustment tool will turn more bland photos into selects than any other new toy in Lightroom.  Between this new tool and the improved sharpening, it is well worth the cost of upgrade.

Sample: The “stage left” lighting leave sax players Paul Ahlstrand and Tom Hall in the dark.  A somewhat narrow GND filter centered just over drummer Billy MacGillivray’s head makes it appear a new stage light was added.

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Was this what it was like?

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In 1852, Henry David Thoreau wrote in his journal about some walks he made up the Assabet River in Concord ( and he wrote about the sandy bottom of the river, the clear water, and the ability to see every detail of the bottom.  He also wrote of the weeds that grew on the bottom that remind you of the sea.

This past Sunday I had the opportunity to, perhaps, visit a place that recalls the river that was.   We paddled a section of the Swift  River in central Massachusetts.   The Swift River has the rather unique distinction of being the primary source of water for Boston — the river was dammed in the 1930’s to form the massive Quabbin Reservoir.  But the fine folks of Boston don’t manage to drink all of the water and so a little bit is allow to continue down the river and it’s just a great place to visit.

I really was in awe paddling on this water.  Whether the water was two or twelve feet deep, I could see quite clearly to the bottom.  Instead of the more typical dark, almost brown, plantlife I see in other rivers, this part of the Swift was dotted with verdant green gardens of various water plants — all teeming with fish.

To realize that, at one time, the river in my backyard shared similar qualities was really a mind-opener.  As an advocate for our river I’m constantly trying to find ways of connecting people to it — particularly through my photography.  I lacked the ability to capture what I experienced on the Swift River that afternoon, but I’m going to go back one day soon and try — because I think it represents what we’ve lost and what we might be able to give back to our grandchildren (actually, that might be aggressive — we’ve got about 100 years of use and abuse to try to reverse).

It has been gone for so long, I don’t think people realize what we’ve lost (and what we have to gain by coming to terms with what we’ve done to the river).  This isn’t the image that will tell that story, but there’s a picture that will and I’m going to go and find it.

Camping at DAR

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We spent the weekend at DAR State Forest out in western Massachusetts - mostly kayaking at different spots.  I did take a few photos at the campsite.  This one is obviously processed a bit, but I think matches the feeling of the mixture of light and campfire smoke more than the original image does.

Light as a feather

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We had a party here over the weekend (a baby shower for our daughter combined with a family picnic) and pretty much the week beforehand was spent getting the yard and house ready.   I was working in the backyard, literally covered in dirt and sweat, happened to look up, and saw the biggest downy feather I’ve ever seen.

Dirty, sweaty guy aiming his camera at the sky — yeah, I’m sure my neighbors think I’m nuts.

Lightroom 2 is here

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Just yesterday I was poking a bit around the net thinking “shouldn’t Lightroom 2 be baked by now?”   All the indicators pointed towards September.  Six hours later Adobe released it.   “Missed it by that much!”

I had played with the beta just a bit several months ago and have been (im)patiently waiting ever since.  It has arrived and I’m in my happy place (except that I really need to add another few gigabytes of RAM so I can have Lightroom and FCP comfortably resident).

2008 has been a very heavy shooting year for me and I’m thrilled to have such great tools available.  I’m ready to master the new features in LR2.  With the sharpening tools derived from PixelGenius, Photoshop will be collecting even more dust now in my workflow.

[By the way, that’s a Green Heron waiting for dinner.  Assabet Reservoir,  Westborough — my first exported image from LR2]

Little swamp near Route 27

I’ve passed this small swamp maybe 200+ times over the past few years and I often find myself saying “I should see if there is a picture in there”….  (I am all too aware of the fact that many places look much better at 30 mph.)

How many thousands of people drive by each day and never even see the possibilities?

A couple of weeks ago the light was nice and I wanted to get out and feed the local mosquito population, so what better place than a swamp?  I’m not sure about these pictures, and I think a few more return visits are in order.  It has promise…

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Horsing around in New Hampshire

Some photos from a recent visit to our friends up at Chinquapin Hill Farm in Pittsfield, NH..

More photos from this shoot and others at: http://chf.dmg-photography.com

Foals, Colts, and Fillys…

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Osprey at Assabet Reservoir in Westborough

Despite hoping to spend a lot more time this year with the Osprey, my schedule and other circumstances simply hasn’t worked out so far — which kind of bums me out.  We made time on Saturday and headed over to Westborough, fingers crossed that the nest would turn out to be successful.   As I paddled over to the nest site it was ominously quiet, although it was in the morning and Osprey are not typically early risers.  I thought the original scene was three adults (which would be very strange), but it turned out that it was a juvenile on the nest and the adults were in adjacent trees.   About an hour later I noted signs of a second young one in the nest and once some wing-stretching started it was obvious they have raised two young birds to the brink of fledging.

I’m going to try to visit a couple of times a week through the fledging phase and till they head south.  This is the fun time to visit the nest.

Mostly bright clouds made for less than wonderful photos.  Another reason to start visiting at sunset.

A young Osprey pants under a summer sun.

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Sibling Osprey share an increasingly crowded nest

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An adult osprey joins the nestlings (I think this is the male, but I’m not 100% sure)

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Stone Mountain LIVE w/ The Wailin’ Jennys

The July 13th Stone Mountain LIVE show featured one of my favorite bands, The Wailin’ Jennys.  If you haven’t heard the Jenny’s perform, please give them a listen.  They have a style which is quite unique in today’s cookie-cutter music business.

I’m so happy to have permission to photograph these shows — I hope people enjoy seeing some scenes from this jewel of Maine, the Stone Mountain Arts Center.

For a full gallery of this and many other Stone Mountain LIVE shows, head on over to:  http://smac.dmg-photography.com

When we arrived, Carol’s neigbor Tim was in the parking lot with Donner, a 12-year old, 1800 lb. Belgian draft horse.  She’s a darling…

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Katy and Carol Noonan in their pre-song banter…

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The Stone Mountain Boys, featuring vocalist Chris Cote, belted out some great tunes

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Heather Masse grew up just a couple of towns over (near Fryeburg), so she’s a hometown hero when the Jenny’s perform here. Heather was out in the audience area before the show and it was like being at a family reunion.

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Nicky Mehta

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Ruth Moody

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and Jeremy Penner on fiddle…

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There’s no easy way to explain the next couple of photographs.   That’s “Monty” from the Inn at Crystal Lake.

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A few shots of some of the Stone Mountain Boys after the show…

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Everybody should buy a Duck Stamp!

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Really, you should.  (Especially if you are a photographer of the outdoor world.)

Many people associate Duck Stamps with hunting, and think that if you purchase a stamp you are supporting hunting (which some people don’t like).  Officially the stamps support both hunting and conservation.

Duck Stamps provide our incredibly underfunded national wildlife refuge system with monies to acquire land to create new refuges or expand existing ones.  In the past 75 years the sale of stamps has been used to acquire five million acres of critical habitat for our national refuges.   Ding Darling in Florida, Bosque del Apache in New Mexico, and Parker River (Plum Island) right here in Massachusetts are all places I’ve visited and just a few of the refuges that have benefited from Duck Stamp revenue.

The sight of thousands of Snow Geese taking off at once, the exotic sounds of Sandhill Cranes chattering back and forth, marsh grass glowing at sunset, turtles basking on logs, and countless other sights and sounds are protected because people pony up $15 once a year and purchase a stamp.

duck-stamp.jpgSo head on over to your local post office or wildlife refuge visitor center and buy a stamp or two.  (Many people collect them as artwork, as they are quite beautiful.)  If you value conservation of land, this is one of the best investments you can make.

But wait, there’s more!  Your Duck Stamp acts as a pass to U.S. National Wildlife Refuges that charge admission fees — so you get to see the results of your purchase.

To learn more about the program visit: http://www.fws.gov/duckstamps

[Photograph: Puffer Pond, Assabet River National Wildlife Refuge]

AJAXed with AWP