David Griffin Photography

Images, videos, tips and news from David Griffin Photography

Monthly Archives: March 2009

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Savannah National Wildlife Refuge

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This is more processing than I normally do with a scene.  I had exposed it as an HDR series, but while the resulting image had nice tonal values to work with, the breeze blowing the mosses made everything look pretty horrible when enlarged to any degree.  I even tried negative clarity to combat this, but it never worked the way I wanted.  (There’s no substituting real fog.)

This was an image of opportunity.  We stopped at this refuge mostly to get off the highway and get some lunch.  It was 2pm and, for the most part, pretty sunny — hardly the best conditions for a serene setting, but I thought I might be able to do something with it.

So this is a single image, but I made a local correction to the roadway to tone down the exposure to balance better with the rest of the scene.  I keep making new versions of this in Lightroom and perhaps one of these days it will match my vision for it.  We’re getting closer.

5D Mark 2, 70mm, f/8.

One morning at the Venice Rookery

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These are a few highlights of the morning’s shoot at the Venice Rookery.  Video for that morning is in the editing bay… stay tuned.  Here’s a short clip:

[flv w=800 h=450]http://dmg-photography.com/video/20093-263-3069.flv[/flv]

Lightwriting

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The word photography means, literally, to write with light.  On a recent trip I was photographing on a path well after sunset.  My original idea was to “paint” the walkway with light but I didn’t have the correct type of flashlight.  The result still makes you look twice.

North Carolina Sunrise

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We completed our run through Florida, but without any Internet access – so photos and details will have to wait.

This morning we headed out to Wrightsville Beach hoping to catch some shorebirds at dawn.  Instead we found a 30-40 mph wind and lots of sand coming off the dunes.  The sunrise was nice and I shot some dawn video using the 5DMk2 which I will post here another day.

I used a 3-stop GND filter for the shot to try to balance the sky and water.  I have a filter adapter for my lenses, but I can’t remember ever using it past the first day — normally I just hold up the filter with my hand and fire off an image or two. That really doesn’t work well with video!   So I guess I’ll have to dig out that filter holder now.

Video from the Venice and Wacodahatchee rookeries looks very nice and should make for a short video once I get back home.  Audio remains a problem and I hope to experiment with it a bit tomorrow at Pocosin NWR.

Parasail Surfer

We went back to Emerson Point Preserve for sunset.   No birds to speak of, but we did stumble upon an older gentleman getting a bit of air time in the bay…

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Visiting Florida – Manatee River area

I’m in Florida for a few days.  The trip timing was based on some family plans (my brother-in-law is hiking the Appalachian Trail and we dropped him off in Springer, GA), not photography per se.  We’re visiting relatives, relaxing, and taking photographs where we can.

This morning we headed over to a nearby nature preserve along the mouth of the Manatee River called “Emerson Point”.  Our timing wasn’t all that great – most of the migratory birds are gone and the place wasn’t buzzing as much as it was just a few weeks ago (based on conversations with a few folks passing by).

Grabbed a few shots and took notes.  There are three Osprey nest sites, two of which are active.  I really wish the 3rd was was active because it turns out it is adjacent to a observation tower that would provide some pretty spectacular nest site views.   We’ll have to keep our eye on this spot for next year.   The area is impeccably maintained and provides wonderful and easy access to a wide variety of habitats.   The only significant drawback is that it doesn’t open until 8am, which after DST and late in March misses the best light.  So these shots are a little “hot”, but hey it was 70 degrees!

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[flv w=800 h=450]http://dmg-photography.com/video/20093-263-2876.flv[/flv]

Here’s a 70-mm shot of the Osprey nests from the observation platform.

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Backblaze – breathing a sigh of relief

I’ve been photographing digitally since 1996 and I still have those crude JPEG files on my computer.  I’ve been pretty good about keeping backups of my systems.  I’m not obsessive about it, but I try not to leave too much to luck.

I subscribe to the school that a file isn’t safe until it is in at least 3 places.   Like a lot of people I’ve been running with the technology train: floppy drives, Zip drives, writable CDs, writable DVDs…   Actually, come to think of it, I don’t think I used DVDs for backup — by the time they became cost-competitive it was pretty obvious to me that they were a dead end.

Since then I’ve used multiple external hard drives to store my photographs and other files.   The number of images per year increased in conjunction with increasing megapixelage of the cameras to create “gigage”.   I don’t pretend that I’m unique in this regard – in fact I’m probably on the low side.

Two years ago I stopped buying external firewire drives and purchased a 2-bay Weibitech drive.  This allows me to treat bare 500 gigabyte SATA hard drives as though they were oversized floppies.   This was good, but I still had one flaw in my backups that was hard to overcome: local disaster (e.g., house fire, theft, flood, tornado, etc.)

To counteract that a bit I’ve stored a drive or two offsite at my sister’s house about 90 miles to the west.  I figure if both our houses are destroyed by a single event that spans 3/4 the state of Massachusetts the last thing I’m going to be worrying about are my photographs.  Suffice it to say this is awkward and I’m not obsessive enough to keep this system up-to-date (in fact I’m pretty sure that disk is over a year old now).  Not good.

Back in my day as a software engineer we’d often talk about moving bits around and I had envisioned a system by which photographers would have mutual backup systems: Photographer A would allocate 1 or more drives for Photographer B’s photographs, and visa versa.    You manage your own files (and pay for your disks), you just mutually pay for the bandwidth and electricity.

The trick here was the upstream speed needed to shoot gigabytes worth of files around.  At the time DSL was king and it didn’t have the oomph needed to make this work (without paying through the nose).

Enter Verizon FiOS with nice uplink speeds and no transfer limits.  Now things get interesting.   Next on the horizon is a company called Backblaze which offers network backup for $5/month.   I get on the waiting list for the OS X version and about a month ago I installed their software and turned the throttle up to 11…

My uplink speed is about 500 kilobytes/second so it was going to take awhile.   I have over 71,000 images and a bunch of other files.   Just shy of one month later all 800 gigabytes worth are safe, sound, and encrypted on some disks on the west coast.  And now any new images will be immediately sent there.   The sound you hear is me breathing a bit easier for the first time in 18 months or so.

To get the photographs safely stored on Backblaze I’ve deferred backing up some video projects… I need to find a way to properly manage the HUGE files HD video projects create.   A lot of the bigger files amount to temporary or intermediate files and really have no reason to be clogging up my network connection.   Some tweaks to the workflow are in order.

I encourage anyone with a reasonably fast network connection to consider a service like Backblaze.  If your professional life doesn’t depend on digital files, at least consider the importance of your family photographs and personal documents.  Unlike the photo albums of yesteryear, digital images can be copied very easily and it is this recent ability to put those copies in two or twenty places around the planet that makes them far more resilient (in some ways) than their physical cousins.  Yes, yes… I’m quite aware of archiving issues…  More on that some other day.  Those issues should not stop you from having files properly backed up.

Speaking of archiving photographs…. is it time to convert my raw images to DNG?   Hmmmm.

Epson Print Academy

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On Saturday I attended the Epson Print Academy, a traveling workshop sponsored by Epson.   The instructors were Jeff Schewe, Andrew Rodney, and John Paul Caponigro.

First things first, the gallery of prints was freakin’ awesome.  Prints by Schewe, Greg Gorman, Steve McCurry, Jay Maisel and many others (the Maisel print was astounding).  Sure they were printed on one of the top-of-the-line, most modern ink jet printers available but that only contributes to the final few percentage points of the “wow factor” — the rest is all craftsmanship.

The first half of the workshop was fairly technical in nature with Jeff and Andrew talking about color management, Lightroom, Photoshop, etc.   Lots of great material there.

They spent some time on softproofing, which I have to admit I haven’t done much with.  I’ve been pretty happy with the image to print translation I get, but I can see that I’m probably leaving a bit of image “on the floor”.  (I, like many others, really hope soft-proofing makes it into Lightroom 3 — there will much more gnashing of teeth if it fails to make it to the feature finish line again.)

The second half was mostly JPC who, while showing a lot of his Photoshop workflow, spent a lot of time discussing what I might refer to as the “art” of image making.   As my touchstone is more from the “Steven Johnson Literal Photography” camp a lot of what JPC was talking about didn’t resonate with my work, but it certainly was inspiring and thought-provoking.   Photography has been a continuum since that first blotchy bitumen image and it continues today as we explore printing on new substrates and exploring dynamic ranges in both capture and printing that will far exceed the materials of just a few decades ago.

Do I want to buy a new printer?  Oh yes.   Will I?  Not right now.   Maybe when that 3900 comes out.. :-)

Anyways, I thought the Epson Print Academy was pretty good.  For $150 or so you get a lot of good information during the day (especially the latest technical info on the high end printers), plus they give you access to dozens of papers, presentations, and things like Photoshop actions.  Now that I’ve gone through it I’d probably wait a few years before doing it again, but I thought it was worth the investment.

Epson runs two tracks, one for pros and the other for, well, not pros.   I can’t speak for how good the non-pro track is other than apparently they keep winning the big raffle prizes.

[url]http://epsonprintacademy.com[/url]
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