David Griffin Photography

Images, videos, tips and news from David Griffin Photography

Monthly Archives: April 2009

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Loudon Road Racing Series

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Before we get into technical details about this shoot, if you are just interested in the photographs a (rather extensive) gallery of the images from the day can be found on my new events site: events.dmg-photography.com.  If you want to know about shooting an event like this and how one processes 1500+ images fairly efficiently, read on…

At a recent family dinner my sister’s boyfriend asked if I was interested in photographing some motorcycle races.  He wanted some photographs of his team racing because, up till now, they’d only managed to photograph rear wheels leaving the frame of the image.   There just some things a cell phone camera can’t do (at least right now).

Sure!  Sounds like fun.

Click to continue reading “Loudon Road Racing Series”

Radiance of Nature Exhibit coming to Agawam, MA

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My “Radiance of Nature” series will be on display at the public library in my hometown of Agawam, Massachusetts during the month of May.

On Tuesday, May 5th, I will host a reception and short program featuring some new photographs in the series.  Friends, family, and the public are welcome to join us from 7-8:30pm in the Community Room of the Agawam Public Library.  We’ll have juice and cookies as well.

The Agawam Public Library is located at the junction of Cooper and Mill Streets, and right off of Route 57  (right next to the high school).  Please visit the library’s web site for hours, directions, and other information.

True West

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I’ve done some gig shoots of True West, a local country-western band, and they asked me to do a portrait session with them.  Not exactly in my comfort zone, but that’s what made it exciting.    I’m getting a real appreciation for photo assistants — and an even greater respect for those amazing portraits done by a solo photographer.   It’s the details that make or break a photo.

A little background on each image:  We waited till just after the sun set to shoot the image above.  The band has roots in our town of Maynard and we wanted to create a connection to it.  The sun setting on the Mill Clock works nicely.   (I would have stayed out longer and waited for some lights, but it was rather chilly and it’s bad business to kill your clients.)  The band is illuminated by a 550EX off to the left – more or less where the sun was a few seconds earlier.  I should have CTO’d the flash – but I warmed it up aggressively in Lightroom instead.

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I received permission to shoot at the Mill (thank you Clock Tower Place) and we picked a stairwell that had some character.  It didn’t take long for the band to warm up from their “roof-top” session..  With 5 members in the band, the hard part was typical for any large group — the probability of everyone looking in the right place at the right time drops precipitously close to zero.  Just to make things even more “exciting” I’m using a Cactus radio gizmo to fire the flash.  The Cactus is 10x less expensive than PocketWizards and appears to not fire about 10% of the time.  It’s a great way to break into off-camera flash, but you definitely run the risk of missing “the shot”.

The 550EX is off to the left and shooting through a white umbrella with a green filter to try to match the stairway fluorescents.  With 5 people and one light it’s hard to put too much direction into the light (at least for me it is).

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Fun with Lightroom…   My little blunder here was not increasing my depth-of-field so Mike ends up a bit soft.  I had plenty of flash power left so I could have cranked up the aperture a bit.

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I brought along my 24mm Tilt-Shift lens.  What I needed to bring with it was my tripod because based on the review of my shots with this lens I am incapable of positioning the focus zone just by looking through the viewfinder.  If I had schlepped the tripod inside I would have used the Live View mode to achieve perfect focus with this finicky lens.  I don’t know if Lensbaby is going to make this kind of shot a cliché, but I like it and want to use it more in this kind of setting.

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We found a funky area in the basement level and I used a zoomed flash (no snoot) to try and create a different feel from the other settings.  Not sure this is what the band is looking for, but they were willing to experiment – which is great.  You will note that Jim is, of course, wearing a black hat while standing in front of a black void…  I used a Lightroom local adjustment brush to paint his hat and bump it up just shy of a stop, teasing it out of the shadows.   If they were to choose this image I’d probably fine tune that adjustment a bit more.  This was pretty good for an early draft.

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Near the end of the shoot we realized that we really had not shot any verticals.  Heck, I’m struggling to get 5 of them packed into the horizontal frame!  We found a stairway and shot a few (the flash is at picture left, white umbrella, greened up, and aimed up the stairway).  With white shirts and 8 feet of fall-off, this needed some work.  I used Lightroom’s graduated neutral density filter to drop the foreground 4/10’s of a stop – bringing the light into a bit more balance.   Again, this was a 20-second tweak — that I was able to apply to a number shots by synching the adjustments.

The band is reviewing the early drafts of about 50 selects from the session — I’ll post the final versions they pick.  I hope they had as much fun as I did.

(I had 3 video shoots and one photoshoot this week — when it rains it pours, and I have to say I had just about everything go wrong that could… but I believe the overall results were good.)

Podcasts and blogs you might like

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If you love dogs (and/or wonderfully produced video) you should subscribe to “The Dog Files” video podcast series.  This week Kenn Bell’s show starts a multi-part series from South Dakota that should not be missed.  Kenn is a master videographer and sets the bar very high for those of us striving to provide high-value, documentary-style video on the  web.  There’s that, and, of course, almost always puppies…

Visit: The Dog Files at thedogfiles.com

Travis Peltz at the Essential Photo Gear blog interviewed nature photographer Michael Mauro.  Mike has an interesting video podcast called Mauro’s Moments.  It’s sort of a mix of topics and formats, but he does a great job of explaining what it takes physically, mentally, and technically to get those great shots.

Visit: [url]http://www.mmphotoblog.com[/url] and subscribe to the Mauro’s Moments podcast (or look it up in iTunes if you use that).

As someone who has spent many, many hours in a kayak photographing along the river’s edge, the segment where Mike faces the challenges of kayak photography while having a video camera rigged to the bow of the boat (and 3 feet in the air) caused a lot of grins between Betsy and me.

And I’ve mentioned it before, but I’ll do it again: The Big Picture, a photo blog curated by the Boston Globe, continues to crank out some of the most amazing, terrifying, sad, joyful photographs the world has to offer.

Chincoteague National Wildlife Refuge

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This is a short (4 minute) video from our even shorter visit to Chincoteague National Wildlife Refuge as part of our east coast road trip in mid-March 2009.  The refuge is located on Assateague Island right off the coast of Virginia.

It was a pretty bland day, light-wise.  When we have cloudy weather like this we almost prefer that it rains a bit to saturate the colors.  No such luck that day however.

Chincoteague is on the eastern seaboard migration flyway and can have plenty of birds on it at various times of the year.  November is a particularly good time to visit.  (Several photographers I know spend Thanksgiving there.)    There were some snow geese when we arrived and we had expected more to congregate as evening approached, but alas just the opposite happened and when we checked the ponds they were pretty much empty.

When nature hands you lemons…

Chincoteague is also fairly well known for the feral horses (ponies) that call the island their home.  They were making themselves pretty scarce as well, but we did find one… then 15… then another 20.  For us, 35 ponies in one day is lemonade!

The music track was kindly provided by Duke Levine.  If you like what you hear, please visit Duke’s page and buy an album or two.

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Technical drivel follows…

This video was shot using the Canon 5D Mk2 camera.  Most of the shots are with a 500mm f/4.0L telephoto lens. A 70-200mm lens was used for the wider angles. For those of you paying attention, this video has something that most “traditional” video doesn’t have: a dust spot on the sensor.  Yes, we have all sorts of tools for making our still images spot-free, but now we need a tool for our video editors too.

The raccoon clips were taken with the 500mm telephoto and a 1.4x teleconverter for an effective focal length of 700mm.  I don’t have my video head rigged for the 5D (yet) so this was done with a ballhead.  I was a bit shocked and very much pleased at how the image stabilizer in the 500 make the ad hoc panning work pretty well.  I’ve found that stabilizer can work against you taking video at high magnification — the shots tend to drift slightly.

If nothing else I was pleased by the ability to frame up some video shots and then quickly recompose for stills without having to haul two tripods around and/or constantly switch setups.  So my original goals for the 5D continue.   I’m still rather annoyed at the need to ballpark the exposure though.  This is turning out to be rather difficult to do in the field with any sort of consistancy.  Practice, practice, practice…

I’m still playing around with the delivery of the video.  I’m converting to Flash via VisualHub (I’m going to take Video Monkey for a spin in a couple of hours) which does an OK job, although the gamma differences from the source Quicktime file are really bothering me.  There are plenty of chroma compression artifacts in the Flash version as well.

The point of this blog layout was to provide room for big images and I want to do the same for the video, if at all possible.  Not sure how well that’s working but it sure makes an interesting testbed.

Finally, extra points to those of you who noticed that I repeated the theme of the lighthouse flash in a water reflection by the horses.  When I saw how that lined up while composing the shot I had a big smile.  It’s the little things sometimes…

Merritt Island National Wildlife Refuge

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It has been several years since we last visited Merritt Island National Wildlife Refuge.  A prolonged drought in Florida has done a number of this refuge that sits side-by-side with America’s space program (if you look closely at the horizon on the photo below you can see the Vehicle Assembly Building, where they prepared the Apollo and Shuttle craft for launch).

Birds were sparse, and I don’t think we spotted a single alligator.  Most of the wildlife was concentrated into the few standing ponds and most of those were not anywhere near the access trail.  We triangulated one such area of bird activity to behind a clump of trees that had a very narrow opening we dubbed as “Door Number 2″.

Bad weather makes good photographs, and we took advantage of the twisted landscape of pitch-black dried and cracked mud against the rain clouds that were passing through.

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Both photos were taken using a Canon 40D and a 24-70 f/2.8L lens.  A Lightroom-applied graduated neutral density filter of about 1 stop was applied to the sky.

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