Monthly Archives: June 2009

Behind the Scenes at Work of 1000

Over the weekend I was a “set photographer” for the final scene in the documentary “Work of 1000“.   

Despite living 20 miles from the Nashua River, I was unaware until recently that a documentary was being filmed about the people who spearheaded its transformation from one of the most polluted rivers in the United States to one of our local gems.

In the 1960s Marion Stoddart looked at the Nashua River and decided that she would dedicate herself to healing this ailing natural resource.  At the time paper mills and other industries filled the river with dyes and toxins.  This, combined with raw sewage discharges from towns along the river, destroyed the river’s ecosystem and created a blight on the landscape that one could smell for miles around.

Marion was involved in the passage of the Massachusetts Clean Rivers Act which predates the Federal “Clean Water Act”.  She help create the Nashua River Cleanup Committee (a forerunner of the Nashua River Watershed Association). Her tenacity, dedication, diplomacy, and intelligence created a movement that reverberates to the present day.  Marion has been recognized by the United Nations, National Geographic, and countless environmental groups for her efforts.

I met Susan Edwards, producer of the documentary “Work of 1000″, which chronicles Marion’s work on the Nashua, at a local EMS store that was doing a weekend promotion of local environmental organizations.  I was there representing the Organization for the Assabet River and Susan was looking for supporters for her documentary.  

The storyboard for the final scene of the movie called for a helicopter shot of Marion paddling alone down the Nashua River, then followed by a myriad of other boats representing those that joined her in restoring the river.  Susan was looking for experienced paddlers to be part of the filming of this scene.  We immediately signed up and I offered my services as a photographer on that day if it could be of any value. 


That’s Bob Sisson and Beth ____ checking out the cameras for the morning’s activity.  Our charming run of weather had, unfortunately, forced the production team to cancel the helicopter due to the threat of thunderstorms so they went to “Plan B” which was a static shot from a bridge.

There were about 70 boats in the water and the team did a great job of wrangling everyone into the right places and having them do various maneuvers in support of the filming.  Lots of people brought their own boats, but fair percentage were supplied by Nashoba Paddler.  (In the small world department, I discovered that Nashoba Paddlers was owned by a former colleague from my days in the networks engineering group at Digital: Pete Carson.  I kept looking at Pete thinking “it sure looks like him, but…” — context is everything.)

Bob was the primary cinematographer for the day and the primary members of the production team were on the bridge communicating with others via cellphone, walkie-talkie, and bullhorn.  ”Organized Chaos” is how they referred to the operation.

The helicopter shot would have been a single take.  Without the helicopter the team had the luxury of a second take and they took advantage of it.   I don’t know which one they will use, but I liked the feel of the 2nd one better.   Here Marion paddles back to join up with the throng of boats following her.


Marion is very spry for someone in their 80′s and she appeared to have a good time being the star of show — although I think she would have been just as happy to be paddling without all of the hub-bub.

For a final shot the boats all rafted together and waved.   While the river isn’t flowing quickly, the past few weeks of nearly daily rain still created a bit of a current and everyone worked very well together to make these scenes happen.

We all look forward to the release of this inspiring film about one of our local rivers.   And, if you have the chance, rent a boat from my friends Pete & Diane at Nashoba Paddler and experience this beautiful river firsthand.

Technical stuff: 

After milling about on-shore with the production team and participants I headed out on the water with the Canon 5D Mark 2 and the 500mm f/4 L and 24-70mm f/2.8L; and the 1D Mark 2 mounted with a 70-200mm f/2.8.  Betsy was in another kayak with a 40D and the 16-35mm f/2.8L.  There were other photographers there doing behind the scenes stuff, so during the filming I was standing off with the long lenses and out of the filming camera’s field of view. Betsy would be “in situ”, discretely photographing as a participant.   Thirty seconds after arriving at the marshaling site I realized that I should have brought my 10D and rigged it for a time-lapse of the area: getting 70 boats in and out of the water is no small feat and  it would have made a nice sequence.   Ah well.  Something to remember for the “next time” I do behind the scenes work on a river. :-)

The images were processed and edited with Lightroom and uploaded for the production team that evening.  The only challenge was the sun.  We haven’t seen the sun here for  like a week and it was out strong for the filming.  The strong shadows required some fill light in a number of the images and that took a bit of extra time to get right.

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The Hoodman HoodLoupe

One of the dirty little secrets of photography is that it isn’t the camera that gets your wallet – it’s the accessories that are so adept at performing cashectomies.

Six months ago I wrote a short article on the Canon 5D Mark 2 and why I decided to purchase one.  Since then it has steadily become my primary camera for all but high-speed action shots (for that my Canon 1D Mark 2 stays at the top of the roost in my shop).   I now regularly switch the plate on my Libec H38 video head from the XH-A1 to a Really Right Stuff quick release clamp (it still is a hack and I’m hoping someone will come up with something better — I wrote to RRS but, so far, no response.)

When Philip Bloom wrote about the Zacuto viewfinder that worked with the 5D I immediately had accessory lust.  Unfortunately the Zacuto viewfinders sold out very quickly and I figured I’d have to wait a few months for its replacement (although the sticker shock of the viewfinder meant that I had some time to save up my pennies…)

I then stumbled on the Hoodman HoodLoupe 3.0 and, given the unknowns about the Zacuto’s V2 viewfinder delivery time and price, that the HoodLoupe would be worth the price and I could set myself up for a little New Year’s gift for myself a few months down the road.

While the order was being shipped, Philip Bloom got a hold of a Hoodman HoodLoupe and wrote a great review of it as a viewfinder for the 5DMk2 and I highly advise reading his article if you are interested in purchasing it.

I had some reservations about the Hoodman Loupe, particularly because I wear eyeglasses, but overall the reviews of it that I did find were generally positive and Philip’s review reinforced my expectations and reservations.

The first thing to note is that the HoodLoupe retails for about $80.  But that just gives you a loupe that is designed to be used to inspect still images or the Live Preview screen whilst on a tripod.  I have to say that it is worth the money alone for that feature and having used it now for a few days under sunny conditions, if I ever replace it with the Zacuto finder or equivalent, it’ll still be in my bag for this purpose.  It works great.

But to use it as a video viewfinder you have to make it “stick” to your camera.  Hoodman kindly provides a “Cinema Mount Strap” for $25.  I looked at this add-on and said to myself “$25 is a lot to pay for a piece of elastic cord”.  I checked with my wife, who happens to be a seamstress, and she was pretty sure she had some cord down in her shop.   $80 it was – the cinema mount would be a DIY project.

I took a length of elastic cord, used a twist tie to create an attachment loop opposite the one Hoodman so kindly provided for its strap, and added a little clamping gizmo to cinch it up.   Now the topologists out there will correctly note that this makes it pretty much impossible to detach without rethreading the clamping gizmo because the elastic goes over the front of the camera and you can’t get past the camera straps.  2 points for thinking ahead.  Fortunately my accessory lust paid benefits this time — my camera strap is an Op/Tech which just so happens to have clips on it to allow me to remove it.  I love it when a plan comes together. :-)


So with just a bit of hackery I have a workable viewfinder for the 5D that allows me to comfortably shoot video both on a tripod and handheld.

From a comfort point of view it is acceptable — no worse than the regular eyepiece.   If I had to spend hours every day shooting through it I can see where it would wear out its welcome.

The viewscreen is clear and bright.  Because I wear eyeglasses I’m sure I’m stretching the “eye relief” of the optics and there is some distortion around the very edges – but that area normally never contains image.  As I have particularly bad eyesight, I’m pretty much used to these types of tradeoffs.

I’ve found that once I start working with it, Live View becomes much more accessible even when doing stills.  I was lining up some macro shots and use the 5x magnification to pinpoint the focus.  This is SO much better with the HoodLoupe than without — particularly in daylight.  Switching modes and settings while staying on the viewfinder became very natural and easy.

I’ve done a little bit of handheld video shooting (of the grandson of course) and I’m pretty happy with the results.  The combination of the HoodLoupe on the back and a 50mm f/1.4 on the front is a powerful video image-making tool.  I even shot some handheld 500mm f/4 footage (with image stabilization on) and I’m excited about trying some video of the Osprey from the kayak (it’ll never be feature-worthy, but it might be good enough as a video clip or two in a presentation).

The camera itself continues to fit perfectly into a number of workflows.   I used it for the first time as my B-roll camera for a business profile video I shot at a Boston hotel.  The ability to mount my 16-35mm lens on it and get beautiful wide-angle shots of the guest suites and lobby made for a far better end product.

Now armed with a workable viewfinder I’ll likely be expanding my use of the camera…. which will lead me to the next accessory: a dedicated video head clamp that can rotate 90 degrees to accommodate the camera and/or telephoto lenses! Are you listening Really Right Stuff?

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Peter Alden and the meaning of stewardship

Last week Peter Alden, a well-known naturalist, author, and eco-tourism pioneer based in Concord, MA, spoke to a packed room at the Friends of the Assabet River National Wildlife Refuge meeting which took place at the Eastern Mass. NWR Complex visitor center in Sudbury.

Peter’s program was titled “The Ups and Downs of our Birds” and he created a whirlwind review of the many species of birds in our area and how their presence (or absence) is intertwined with human activity: changes in the landscape, environmental awareness, global warming, and bird feeding.

If you’ve never heard Peter give a lecture before, I highly recommend that you do.  He’s not shy about his opinions and has an amusing way of driving his points home, particularly when it comes to invasive species.  His presentation style is rather free-flowing, aided by slides with the images that have a more clinical feel to them – providing a visual counterpart to his words, but certainly they are not the feature of the program.  (And, by slides, I mean 35mm slides in a carousel projector. Peter notes that he’s a dinosaur who checks his email almost once a week.) You’ll also know exactly what town he was born and raised in as he pronounces “Concord” and “Thoreau” in the way only true Concordians do.

Peter’s talk was rather though-provoking and I thought I’d share some of my reactions to it.  My discussion here really doesn’t do justice to the depth of what was presented or even my thinking on the topic – but rather I hope it becomes a starting point for others to consider their place in respect to the complex environment that surrounds us all.

Peter’s friend, former Massachusetts Secretary of Environment Affairs, Bob Durand, was in the audience and introduced Peter primarily as an ornithologist. But Peter is a true naturalist.  He has written a number of nature field guides for Audubon and while his talk was ostensibly about our local birds, his extensive background allowed him to embed this primary topic in a much larger context — punctuated with the occasional politically incorrect jab at one thing or another.

Before I get into Peter’s topics, I feel compelled to preface my comments with an observation that I’ve always been fascinated in the difference between the pragmatic expert and the enthusiast.  Enthusiasts can often appear to the casual observer as experts, but when you really start to dig into a topic the pragmatic expert opinions really make you pause and think and, often, surprise.   Because they have spent so many years accumulating the experience and perspective that most of us can never hope to achieve, their world view is often at odds with the more romantic views of the world.

An avid birder can tell you reams about different species of warblers, where they’ve travelled to to see them and add them to their “life list”, how to differentiate them by subtle variations in their songs, etc.  A similar discussion with a biologist might touch on some of those same topics but I’ll wager that the birder probably hasn’t spent weeks or years observing the life cycle of the birds, climbed up a tree to band young chicks, taken blood samples, examined droppings for clues to the bird’s diet, and watched the birds succumbing to a disease or being eaten by a tree snake.

My daughter received her degree in Animal Sciences.  Not unlike a farmer or rancher, she loves animals of all kinds and works with them daily.  She also finds them pretty tasty.     

This is a rather roundabout way of me saying that when I listen to a TED talk or sit in on a program that brings people who are thinking critically about a topic, I take a fair degree of enjoyment in being challenged to understand how and why they have come to whatever points they are trying to make.

Peter Alden discussed the rise and fall of certain species in Massachusetts – particularly over the past few decades.  It would be pretty easy to finger “global warming” as the culprit in these changes and, indeed, in for some species it can be argued that climate change is certainly a factor.  But for all the complexities that swirl around climate, there are other forces at work here with the finger of change still firming pointing at us as a society — and it gets a bit more uncomfortable when it starts pointing at us as individuals making very voluntary choices.

Many years ago when I was growing up in western Massachusetts the Robin was considered to be the harbinger of Spring.  When Robins migrated to Massachusetts from their wintering grounds down south, Spring surely was just around the corner. Today, Robins are here pretty much year-round.  The migrating species that now signals spring is something like the Red-Winged Blackbird, which still migrates south during our winter months.

The change in the Robin’s migrating habits in Massachusetts are likely the result of our milder winters that are likely the result of global warming. But you would be incorrect to apply this same causation to other species.

The decline of Grouse and a number of ground-dwelling birds has less to do with climate change but rather a combination of the reversion of Massachusetts to a more forested landscape and a change in the predator hierarchy. Like most of New England, Massachusetts was nearly 100% deforested during the 18th and 19th century creating an ecosystem that is vastly different from what we have today.  The absence of top predators such as wolves and mountain lions creates a niche for coyote and fox – and they tend to go after Grouse and similar-sized birds.

The Carolina Wren is a bird that was until a few years ago almost unheard of in New England – especially during the cooler months.  Not too surprising considering its name.   You might also think that warmer winters must be the reason for their presence in your backyard, but there is an equally valid contributor to their behavior change: your bird feeder.  Or, more accurately, the countless thousands of bird feeders here in New England.

Peter ticked through a number of bird species and asserted that their rising or declining numbers can be attributed to those of us feeding birds thousands of tons of black oil seed more than any other factor.  We are attracting birds that normally wouldn’t spend their winters here because they now have a plentiful supply of seed and food courtesy of well-intentioned humans — and we are losing some species to our neighbors in New Hampshire, Vermont, and Maine, who are, in turn, providing food for birds who normally wouldn’t be bothered to stick out the winter in the foothills of the White Mountains.   And by providing seeds to these feeder-addicted species we inadvertently tip the balance of survival for other species (e.g., house sparrows will kill bluebirds to use their nest holes).

Suffice it to say that Peter’s assertions have, if you’ll pardon the analogy, ruffled more than a few feathers.  The feeding of wild birds is a multi-billion dollar industry and the message that by feeding birds you are killing birds is a hard one for people who claim to love birds to accept.  I have to admire his ability to speak truth to power.

And so I am faced with the question: Why do I have bird feeders?  The enthusiast in me says that I’m providing food for birds that need it because we’ve indiscriminately paved a fair portion of our landscape and my providing birdseed helps restore some balance in nature.  But faced with evidence to the contrary, am I really doing this to help the birds or am I doing it for the entertainment factor that comes with watching birds out our living room window?  If my actions are actually causing harm to some species am I a truly a steward of the environment?  And, as a professional nature photographer, who believes that baiting is an unethical practice for getting photographs of wildlife, how can I justify feeding wild birds in my own backyard?

Peter Alden’s assertion around bird feeders is one that I want to investigate some more, but it certainly has a fair ring of reason to it and here at Casa Griffin we’re re-evaluating our bird feeder situation.  I have to say we’ve never been terribly overboard on feeding — we have one in the front yard that is pretty well maintained and two stations in the backyard that are only occasionally stocked.  We also have two hummingbird feeders out during the warmer months.  We also have worked hard to make our yard wildlife friendly (the subject of an upcoming blog article) and going forward we’ll probably strive to balance the scales of our suburban landscape with additional native plants in a natural cycle rather than feeding birds seed grown who knows how and trucked from who knows where.

And while birds certainly feature prominently in my personal environmental stewardship activities, Peter also touched on a topic he has been speaking passionately about the past few years: invasive species.  I think I will bring up some of his trenchant observations on that very important subject in my upcoming article on our backyard project.

I’d love to hear what readers of this article think about the bird feeding issue.  Please feel free to click on the comment button located just below the woodpecker.  (Now there’s a phrase you probably haven’t seen before.)

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