In the previous post on exploring the power of water I discussed an encounter with a kayaker where I decided to use long exposures rather than try to freeze the action with the intent of having some abstract images. My brother, Pete, noted that I didn’t include any traditional visual “anchor points” in the images. This was intentional on my part, but I thought it would be interesting to look at the images that did have some reference to solid ground in them.
If I had planned this encounter I would have taken steps to make the background even more stable – providing a more distinct visual contrast between the trees and ground and the chaos of the water. The sequence here moves from moderately discernible backgrounds to where the they become almost as fluid and abstract as the water. Feel free to compare and contrast with the initial set.
Canon 40D, 100-400mm f/4.5L IS at f/16, ISO 200 with polarizer and 3-stop ND filter. Shutter speed 0.6 seconds for the first image and 0.8 seconds for the others. Camera stabilized on a Gitzo tripod and RRS BH-55 ballhead.
Lightroom post-processing: White balance set to 6000K, exposure unchanged, fill 53, black point 33, clarity 80, and vibrance 25. Default Lightroom sharpening.