Category Archives: Photography

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Lightroom 2 fixes uneven stage lighting

I just finished processing last night’s Stone Mountain LIVE show (a rather eclectic tribute to the music of the 1950’s).

The Stone Mountain Arts Center is renown for its live music and sound system (as it should be) — less so for the stage lighting.   When you have a large group playing, and they often do, the performers off of center stage drop into the shadows (easily a one-stop drop).

While editing the photographs I realized that Lightroom 2’s new graduated neutral density (GND) filter tool might easily tune the wider-angle stage shots and bring it closer to what an audience member would see.   Now, doing this kind of exposure adjustment was always possible in Photoshop, but I don’t have the time to go through that process for what could be dozens of photos.   With Lightroom I set up a half-stop increase in the exposure and set it at an angle — almost as if I was adding a light to the stage.  The result created a much nicer balance (see the sample image below).  And I could sync this adjustment to the photos that needed it, fine tuning the position of the filter for the composition of each shot.

I’ve done some other work with the LR2 local adjustments, diddling with the masking tool, and I’ve found some uses for that — but for my workflow I think the graduated neutral density filter adjustment tool will turn more bland photos into selects than any other new toy in Lightroom.  Between this new tool and the improved sharpening, it is well worth the cost of upgrade.

Sample: The “stage left” lighting leave sax players Paul Ahlstrand and Tom Hall in the dark.  A somewhat narrow GND filter centered just over drummer Billy MacGillivray’s head makes it appear a new stage light was added.

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Camping at DAR

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We spent the weekend at DAR State Forest out in western Massachusetts - mostly kayaking at different spots.  I did take a few photos at the campsite.  This one is obviously processed a bit, but I think matches the feeling of the mixture of light and campfire smoke more than the original image does.

Light as a feather

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We had a party here over the weekend (a baby shower for our daughter combined with a family picnic) and pretty much the week beforehand was spent getting the yard and house ready.   I was working in the backyard, literally covered in dirt and sweat, happened to look up, and saw the biggest downy feather I’ve ever seen.

Dirty, sweaty guy aiming his camera at the sky — yeah, I’m sure my neighbors think I’m nuts.

Lightroom 2 is here

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Just yesterday I was poking a bit around the net thinking “shouldn’t Lightroom 2 be baked by now?”   All the indicators pointed towards September.  Six hours later Adobe released it.   “Missed it by that much!”

I had played with the beta just a bit several months ago and have been (im)patiently waiting ever since.  It has arrived and I’m in my happy place (except that I really need to add another few gigabytes of RAM so I can have Lightroom and FCP comfortably resident).

2008 has been a very heavy shooting year for me and I’m thrilled to have such great tools available.  I’m ready to master the new features in LR2.  With the sharpening tools derived from PixelGenius, Photoshop will be collecting even more dust now in my workflow.

[By the way, that’s a Green Heron waiting for dinner.  Assabet Reservoir,  Westborough — my first exported image from LR2]

Little swamp near Route 27

I’ve passed this small swamp maybe 200+ times over the past few years and I often find myself saying “I should see if there is a picture in there”….  (I am all too aware of the fact that many places look much better at 30 mph.)

How many thousands of people drive by each day and never even see the possibilities?

A couple of weeks ago the light was nice and I wanted to get out and feed the local mosquito population, so what better place than a swamp?  I’m not sure about these pictures, and I think a few more return visits are in order.  It has promise…

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Maine Media Workshop Video

Here is the video I worked on as part of last week’s “Documentary Shorts for the Web” workshop.  My co-producer is Barbara Stanifer.  This is my edit of the footage.  I hope that Barbara will put her version online one of these days — it deals more with the “spiritual” side of woodworking.

Our shooting location was the Center for Furniture Craftsmanship in Rockport, Maine.  The Executive Director and Founder of the Center, Peter Korn, was very accomodating to us as we poked around and filmed various activities there for the better part of a day and a half.   My edit of that shoot turned into a profile of the Studio Fellowship Program.

Here’s a link to the Studio Fellowship video, posted through Vimeo (I’m not sure the embedded version here is working properly yet — I’m seeing some strange artifacts…)

My thanks to Peter Korn and all the folks at the Center for Furniture Craftsmanship for making this small documentary possible.

[vimeo]http://www.vimeo.com/1252863[/vimeo] 

Maine Media Workshops

I just finished a week-long workshop “Documentary Shorts for the Web” at the fabled Maine Media Workshops in Rockport, Maine.  The workshop was conducted by John Poole, video producer for NPR and the Washington Post (among others).  Only six of the eight participants attended, which was just dandy for the rest of us as the room was pretty crowded as it was.

One week of immersion in the basics of subject selection, planning, filming, reviewing footage, story planning, editing, a little more shooting, editing, more editing, and finally exporting and compression was just what I was looking for.  Like all good workshops, the experience puts you in a completely different workflow and demands something in a short amount of time (on Tuesday you think it’ll be a breeze, and by the 3pm Friday deadline you are scrambling to finish something beyond a rough cut).

I had great instructors and classmates with a wide set of talents and backgrounds, so I learned a lot from everybody.  Most of the workshops submit their work for a Friday evening screening on the big screen in the Soundstage.  Considering we were making shorts destined for a 640×360 pixel window on a browser, they held up pretty darn well on the 50 foot screen.

I want to make a couple tiny tweaks to my edit before letting it loose on the world so I’ll put it in a separate posting.   Special thanks to my shooting partner Barbara - we  did all of the location work together and then made separate edits of the same footage.  It was really neat seeing two separate, yet equally compelling, stories emerge from the same images and words we recorded.

There wasn’t much time for photography, but I took a few “tourist shots” of the workshop and the beautiful surroundings of the Maine coast.  Click here for the full gallery (with captions!)

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River Solstice

Musketiquid Arts and OAR have created a bit of a tradition in Concord by having a celebration of the Summer Solstice at sunset, with a picnic and music at the Old Manse followed by a flotilla of boats illuminated with candles (or whatever lights you want), and if conditions permit, you can get totally tribal and enjoy the drum and dance circle.

A full gallery of the 2008 River Solstice event is on the OAR web site.

Shooting in near darkness, from a kayak, is such great fun…

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When chimping goes from oo oo to aieee

I’ve been dealing with some tendonitis in my elbow the past few weeks and it was pretty sore after paddling down the Concord stretch of the Assabet before the River Solstice event yesterday evening.  So, I reluctantly passed on heading over to Westborough to check up on the Osprey nest there.

My “consolation prize” was to sit in the backyard blind and photograph some birds in our little waterfall.  Not a bad way to end the day.

Checking some of the initial items I thought I saw something odd when I went to check the exposures, and after a few more frames I started freaking out.   As you can see it got pretty wierd.  My camera (a Canon 1D MkII) has been a real workhorse for me and so I was really surprised to see it behaving this way.  It was a complete mystery to me because it didn’t look like sensor damage or electronics problems.

After Googling around I found someone with the same problem and the diagnosis was shutter blade failure — which, after thinking about it for a few seconds, made perfect sense.  The over-exposed “white” lines and the black diagonal stripes, somewhat blurry, appearing in some frames and not others is a good signature for a mechanical failure and short of the mirror getting in the way the shutter is the other mechanical part of the imager.

So, now I get to pay Canon for a shutter that has failed LONG before its expected lifetime.   I figure I’m well below the 100K frames shot and the shutter is rated for 200K actuations.  At least I don’t have any major shoots scheduled for the next few weeks.

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Bathing Beauties

By the end of the summer I hope to complete a mini-project playfully entitled “Bathing Beauties”..  Here are a couple of models getting wet..

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AJAXed with AWP