Tag Archives: 5DMk2

Zacuto Z-Finder

After a year of using the Hoodman HoodLoupe as my viewfinder on the Canon 5D Mark II I was able to scrape together some cash to purchase what many people consider to be the gold standard for DSLR viewfinders: the Zacuto Z-Finder. Continuing my long tradition of ill-timed purchases, Zacuto released not one, but two new versions of the finder a couple of weeks after I purchased mine but I’m not bitter…

I’ve had the opportunity to use the finder in a number of settings. A majority of my work is shooting business videos and currently the 5D is my go to camera for b-roll. I’ve also used it to shoot live concert footage, which required me to be moving around a lot and working quickly to get critical focus on shot after shot.

I also used the finder to do a variety of outdoor shoots, both video and photography. When Live View arrived with my 40D I never really considered its value until I discovered the 5x magnification feature when doing sone landscape work. Ever since I’ve been a big fan of Live View as part of my composition process for certain types of images.

Here are a few notes you may find of value…

The newer finders have changed the mounting scheme, but my version affixes itself to the LCD cover glass with a strong adhesive.  They say it will pop off cleanly if needed.  (We’ll see about that.)  The result is that you get a piece of plastic that creates a little window shade over the LCD and creates a small “traffic problem” around the control buttons.  You can still get them, but not as easily as before.  I wear glasses (which we’ll talk about in a minute) and the mount bumps into my optics when I’m using the regular viewfinder.  Nothing serious, but you know its there.

As a myopic photographer and, getting up in age, I’ve been wearing progressive lenses for a few years now. My current prescription is apparently just outside the error bars of what Zacuto considers normal vision, so I had to order a set of extension plates — essentially spacers that stack on the finder body.  You can see them here:

The extension plates work as advertised, but they carry a small penalty that I need to develop a workaround for.  The plates attach via friction — they snap into the existing viewfinder body.   Whenever you design something to join together solely with friction there is a natural affinity to which joint will break first.  In my case, when I remove the viewfinder the extension plates stay with the camera and not the viewfinder (see below) and this, frankly, sucks.

So I’m going to end up either taping or gluing the extension plates to the viewfinder body so that they stay with it and not the camera because they simply get in the way when they stay attached to the camera.

Here is, as far as I’m concerned, a mandatory addition to what Zacuto provides with the viewfinder:

It’s just a short bit of elastic cording tied to the finder and a loop for the camera strap. But man, oh, man is it important.

I only had the viewfinder a few hours in the field when it took its first dive to the ground.  When traveling around on a tripod, especially when out in the field, I heave the whole camera/lens/tripod over my shoulder and invariably it will rotate unexpectedly and I will bump the viewfinder on the way up or down.

So I quickly rigged up a safety line, made from elastic cord, that keeps the errant viewfinder relatively attached to the camera.  I use OpTech camera straps, so it is very easy to attach/unattach the elastic when needed.

The photo to the right shows the safety system in practice.

I originally rigged this up because of my woes when walking through the woods with the rig, but I quickly discovered that when I am working with the camera on a shoot I may accidentally bump the viewfinder more than I think I should and this little 10 cent piece of elastic has probably saved the viewfinder from damage and has certainly prevented it from ending up in a river (yes I bumped it once while setting up the camera while standing in running water).

[Note: The Z-Finder comes with a lanyard / neck strap -- but I just can't work that way...  so it's not as if Zacuto hadn't thought of this problem entirely -- their solution just doesn't fit my work style.   I suspect they will produce something similar to what I'm using in the future and charge $25 for it.]

The elastic is also just long enough that I can stow the viewfinder next to the camera in my bag and keep everything attached to each other so it goes in and out of the bag easily (that’s the 5D at the bottom of the photo):

The new generation of the Zacuto finders have coatings that prevent or deter fogging.  I think this feature I will miss because I certainly have had my share of fogging situations and I haven’t even had a chance to use it in the colder months.  I’m hoping that Catcrap will help, but I’m not going to bet the farm on that.   (To be fair, my glasses fog up just as badly so I’m pretty much screwed either way..)

As to the performance, it works very well.  I’m able to use the viewfinder as a point of contact, greatly improving the camera stability for handheld shooting.   The eyepiece is very comfortable, even with glasses.   The rubber eyepiece attracts dust and dirt, so if you are in the field you’ll want to pay attention to what’s building up on it — again especially if you are mashing your eyeglasses against it.   Fortunately the eyepiece easily detaches and can be quickly washed/rinsed.

I have to admit that with the addition of this viewfinder I actually prefer using it over the optical viewfinder — for certain types of shooting.  The ability to have the histogram displayed live along with composition lines, 5x and 10x magnification, and other data is pretty cool — and they can be made to disappear with the push of a button.   As the resolution of the rear-panel displays inevitably increases I can see how electronic viewfinders may well rival the optical ones — particularly for the more contemplative shooting styles.

The Z-Finder is now part of my standard field kit and I’m looking forward to purchasing another mounting bracket for the 7D.  Much to my chagrin the Zacuto mounting plate and the Hoodman HoodLoupe are exactly the same size so the opportunity to “soft dock” the HoodLoupe on the Zacuto plate is lost.  Maybe I’ll rig some sort of  adapter — you can do anything with gaffer’s tape, right?

Here are a few more photos of the Zacuto Z-Finder and the Hoodman HoodLoupe for comparison:






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Quiet Concert Photography Techniques

wpid1582-20099-385-1975.jpgThis weekend I’ll be up in Maine for the Stone Mountain Arts Center Valentine’s Day show.  I’m doing my usual Stone Mountain LIVE photography plus I’m shooting some videos to help promote SMAC.

Today’s digital SLR cameras are splendid image-making tools.  They are insanely well-crafted machines, but that have a serious flaw when pursuing certain types of photography… they are frickin’ noisy.

Back in the “good old days” I had a couple of rangefinder cameras which had leaf shutters.  When you made an exposure there was the faintest click as the shutter mechanism tripped.   Along come SLRs with a large mirror and mechanics to move it in an out of the way in a fraction of a second and, not surprisingly, accompanied by what is affectionately known in photography circles as the “mirror slap” sound.

For those of you attending rock concerts and other events that really should require ear protection (and I’ve been to plenty of them), the sound of your camera clicking away is not really an issue.  But when you are at an acoustic event (or in the woods with a wild animal) that mirror slap can be a real nuisance to both you and the people around you (who have paid good money to hear the artist perform, not listen to a camera).

Most of the time I simply refrain from taking images during quiet passages.  If I know the song and can anticipate a louder section, I might try to time the photo for that moment — acoustic camouflage if you will.

However I found a way to get back to the old days of a quiet click using the Live View feature on my Canon 40D and 5D Mark 2.   (This feature is available on numerous other DSLRs — I just happen to own those two.)   Live View uses the sensor and LCD rather than the optical viewfinder to see and compose an image.  There are numerous benefits and drawbacks to the Live View mode which are well-documented elsewhere, and perhaps I’ll write about them in the future (e.g., I use it frequent for landscape photography).  But for concert photography I’ve found the near silent operation of Live View to be simply a great tool.

Canon 5D Mark 2 in Live View mode

There are a few constraints, but here is my technique:

1. For the Canon camera, go into Live View setup and select “Silent Shooting Mode 2″.  Mode 1 works too, but Mode 2 is even quieter and I recommend that.

2. Get into a stable position and use the optical viewfinder to focus and frame your subject.   This technique, admittedly, doesn’t work if your subject is moving around a lot, but then most quiet musical pieces aren’t normally accompanied by lots of motion.  You are focusing now because auto-focus isn’t available in Live View mode.

3. Bring the camera down low (under a table / below your knees / beneath a jacket) and engage the Live View.  There is a bit of sound associated with this, but if you time it right and keep the camera isolated from the room nobody is likely to hear it.  What you’ve done now is move the mirror sound from the shot to a time and place of your choosing.

4. Bring the camera back up to your shooting position.  You can no longer use the optical viewfinder, but the LCD will have the image showing.  Unless you have superhuman vision, you will not be able to clearly see the viewfinder because it’ll be too close.  You should be able to make out enough of the image to frame it.  Since you prefocused it, there’s no concern about that.

4. Wait for your moment, press the shutter button, and hold it down.  This will take the image.  In Mode 2 it is just a shutter release click – very subtle.  If you keep it in Mode 1 the shutter will reset.  While this is far quieter than the mirror slap, but a fair bit noisier than Mode 2.

5. Return your camera to below the table or wherever you can keep it isolated from the room.  Release the shutter button and the shutter mechanism resets.  Return to step 4 to take the next image.  Rinse and repeat.

6. When you are done taking images this way, keep the camera isolated and turn off Live View.  This returns the mirror to the normal position, with the requisite noise — but you can do this at the time of your choosing (like during the applause or when somebody’s cell phone starts ringing and everyone is looking at that person).

As you can see above, this works well for certain types of wildlife photography too.  :-)   There are plenty of variations on this theme: there’s nothing stopping you from composing and focusing in Live View mode, particularly if you have a tripod.

For this particular tutorial hearing is probably better than seeing, so I put together a quick audio clip of the different sound qualities.  Nothing scientific, but if you’ve never explored this feature of your camera here’s what it sounds like:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

I hope you can see that using these features on your DSLR allows photographers to make great images without making a lot of noise.

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A Rainy Autumn Afternoon at Danforth Brook

[vimeo]http://vimeo.com/8400161[/vimeo]

Hidden in a corner of Hudson, MA is Danforth Brook, a tributary of the Assabet River.  A short walk from the road, the brook changes from a meandering stream in the woods to a series of small waterfalls working their way through large glacial boulders.  I rarely visit this spot without returning with some great photographs.

Technical

Filmed with a Canon 5D Mark 2, 70-200mm f/2.8L and 24-70 f/2.8L lenses.  (And changing them in the rain is no fun at all…)

Camera moves were done with a home-made portable track  (similar to the Glidetrack).  I plan to write an article about this as I get more experience with it.

A big shout-out to danosongs for providing soundtrack music for these tiny projects for free.

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