Tag Archives: SMAC

Stone Mountain LIVE with Bill Kirchen

Saturday’s Stone Mountain LIVE show was subtitled “The Guitar Gods” show and it was almost more like sitting in on a roots guitar master class than a regular night out on the town.  The Stone Mountain LIVE house band is headed up by Duke Levine and Kevin Barry, two very fine guitar players.  The band is rounded out with Sonny Barbato on keys, Richard Gates on bass, Billy MacGillivray on drums, and Chris Cote on vocals.  Most folks would be happy if they just played all night — but they keep inviting great guests, the most recent being Bill Kirchen.

Bill Kirchen is often referred to as an “elder statesman” in guitar circles.  He’s a master of the Fender Telecaster and is best known for the song “Hot Rod Lincoln” when he was with Commander Cody back in the 70′s. (I can still remember listening to that on the radio on the Giannetti’s back porch.)  Honky-Tonk and “Dieselbilly” is the corner of roots guitar music that he is the master of and putting him on stage with Duke and the gang was to watch pure genius at work. Bill is also one of the nicest people you could meet — quite the ambassador for Austin, Texas.



Bill performs his version of “Hot Rod Lincoln” that includes a medley of musical vignettes that is simply jaw-dropping.  He and the band effortlessly recalled the riffs of (in order): Johnny Cash, Duane Eddy, Roy Orbison, Johnny Rivers, Marty Robbins, Buck Owens, Merle Travis, Merle Haggard, Bob Willis, Hank Sugarfoot Garland, Earl Scruggs, Iggy Pop, The Ventures, Bo Diddly, Chuck Berry, Elmore James, Muddy Waters, Howlin Wolf, Alvino Rey, Stevie Ray,  Freddy King, BB King, Albert King, Ben E King, Billy Jean King, Elvis Presley, Cream, Deep Purple, The Rolling Stones, The Beatles, The Sex Pistols, and Jimmy Hendrix (and I’m sure I missed a couple of them).

When I photograph live music performances I try to do two things: 1) capture the emotional power of the performance from the audience’s side, and 2) get a glimpse into the what goes into the performance from the artists’ side – those quick glances between band members, the look of concentration as they work through a song, and the smiles when they just know it is “coming together”.

For the first half of the show I was taking the audience perspective, but for the second half I shot mostly from just off-stage providing a more intimate set of angles and, for my money, much better lighting (Carol even had a “hair light” now and then!)

I hope you enjoyed seeing some shots of these “guitar gods” in action.   I think Bill is now an honorary Stone Mountain Boy (he should consider moving up to Maine for the summers — it gets hot down there in Texas!)   A gallery of close to 70 images from the performance is available at:

[url]http://smac.dmg-photography.com/SML-Mar-2010[/url]

Here are a few more of my favorites shots from the evening:






My thanks to Carol and Jeff at the Stone Mountain Arts Center, and to Bill Kirchen and all the performers for allowing me to photograph the show.

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Stone Mountain LIVE Christmas 2009

Photos from the December 19th, 2009 Stone Mountain LIVE Christmas show. This was one of 5 shows that spanned two weekends and are the final Stone Mountain LIVE shows for 2009.

More photos from the evening can be found at: [url]http://smac.dmg-photography.com/SML-Christmas-2009/[/url]

Special guest performers for this evening were the Burns Sisters, from Ithaca, NY. Marie, Annie, and Jeannie Burns sang a number of holiday tunes – some familiar, some not.

The Stone Mountain Boys were in fine form with a number of powerful instrumental interludes. Here Duke Levine, Kevin Barry, and Richard Gates jam on a holiday song behind a sea of mike stands. (Also performing, but not pictured are Sonny Barbato on piano/accordian and Billy MacGillivray on drums.)

Chris Cote, the Stone Mountain Boy’s vocal powerhouse, belted out some exciting and hilarious holiday tunes.

Carol, Chris, and the Burns Sisters performing “Blue Christmas”

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Technical: Canon 40D at ISO 1600 with a 70-200mm f/2.8L IS handheld. Exposures were typically 1/60 to 1/40 second, wide open at f/2.8 — and these were generally underexposed by at least 1/3 stop. Canon 1D Mark 2 at ISO 1600 with a 24-70mm f/2.8L handheld. Exposures centered around 1/60 second, but varied more than the telephoto shots.

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Stone Mountain LIVE Portraits

Every month or so the Stone Mountain Arts Center in Brownfield, Maine hosts a concert with some of the best musicians around.  October’s show was on Halloween night and there was certainly a bit of fun with the theme (it also provided the perfect context/excuse for numerous death ballads…)  Special guest for the evening was Kathy Mattea, accompanied by Bill Cooley.  Also sitting in with the Stone Mountain Boys, direct from Ireland, was Frank Gallagher.   I’m privileged to have permission to photograph these shows.

Photos from the show can be found on my SMAC gallery page.

The SMAC stage isn’t brightly lit, so photography is always a challenge.  Through a combination of planning and good fortune I was able to move a bit during the show (normally I’m very much stuck in one spot) and that allowed for some angles I’ve never been able to shoot from before.  (With all of the music stands, it was the only way to get pictures of some of the band.)  During my review of the photos from the show a number of them were calling out to me to live as black and white images.  Some worked in both color and black&white, but for a few the presence of color was just a distraction.

A few of my favorite portraits of these wonderful artists in action are here and you can see the full set (just over 20 photographs): Stone Mountain LIVE Artist Portraits

I hope you enjoy this slightly different take on the evening’s performances.

That’s Duke Levine and Kevin Barry at the top of the page followed by Duke’s Telecaster.


By far my favorite photo of the evening was this picture of Frank Gallagher playing the violin.  Bill Cooley’s guitar caught my eye.

Kathy Mattea and Bill Cooley.

Kathy Mattea and Chris Cote.

SMAC’s owner and host for the evening, Carol Noonan.

As always my thanks to Carol for allowing me to photograph the show, to the SMAC staff for sitting me in my preferred perch, to the band and artists for a great night of music, and finally to Kathy Mattea for her kind permission to photograph her performance at SMAC.

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