Tag Archives: Video

Video Projekt

A couple of months ago my friend and guitarist Ricky Berger introduced me to a band that rehearses here in town, The Museum Direktors.   TMD was a pretty big Boston band back in the 80′s until, well, it gets complicated.   It was a combination of that story plus their great musicianship led us to start a little documentary project on the band.   Progress is a bit slow right now, mostly due to the rehearsal loft hitting 100+ degrees and consequently not being terribly conducive to sitting down and having an interview where everyone isn’t dripping wet.  But they are in my sights…

We’re currently experimenting with shooting video in the rehearsal space.  I’m working through the dubious mechanics of doing a single-operator multi-camera shoot, but mostly I’m learning the music so I can anticipate shots (and yes, I may even script it a bit).   Despite shooting in a really dark room the real challenge is getting decent audio (as you’ll no doubt notice if you play the videos, there is plenty of room for improvement).

Here are a couple of videos we shot a few weeks ago that I finally got around to putting some title slates on and posting to the YouTubes.  They are definitely rough but I kinda like the edginess of them in contrast to where the music is — which is also “under construction”.   We’re hoping that Museum Direktor fans will enjoy this sneak peek into the creative process and we promise a lot more in the coming months.

[youtube]http://www.youtube.com/watch?v=Neu6VnspGgI[/youtube]

[youtube]http://www.youtube.com/watch?v=Rit5HQDJDZs[/youtube]

My thanks to Paul, John, and Chris for inviting me into their working space and letting me document some great musicians at work.

Fans can check in on the group via the Museum Direktors Facebook page

Technical stuff:

The rehearsal room is dimly lit — a few bare bulbs around the perimeter plus maybe 1 or 2 100W floodlights illuminating the rehearsal space.  Audio is, well, besides being really loud, is just whatever they have for personal monitors plus a vocal feed.  It’s not rigged for performances.   I’m still hunting for a spot to set up a mike that isn’t dominated by one of the trio’s monitor vs. the other sound in the room.  It’s a bit of a battle right now because I really want to get better audio.

This is all experimental stuff so nothing is set in concrete:

Canon 7D with a 16-35mm f/2.8L lens either on a tripod or sitting on a chair.   You can see segments where I move this camera with one hand while holding the 5D with the other.   Not the quickest way to a quality end product.

Canon 5D Mark II, 70-200mm f/2.8L lens handheld or on a monopod.

Both are set wide open, ISO 3200 I believe.

I’ve done in-camera audio and via an Edirol R-09.  I was using a wireless mic, but that is too easily overloaded by the dynamics so I switched to a wired mic (AT825 stereo field mic).   I was so depressed with the audio track for “Unromantic” that I sent it through Soundtrack Pro just to toss a bit of compression and reverb in a vain attempt to give it some life (so yes, the original is even flatter…)

The stills on this page were taken on one of those “it’s gotta be f-ing 110 degrees in here” nights.  Canon 40D, 50mm f/1.4, manual focus. Various exposures.

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Zacuto Z-Finder

After a year of using the Hoodman HoodLoupe as my viewfinder on the Canon 5D Mark II I was able to scrape together some cash to purchase what many people consider to be the gold standard for DSLR viewfinders: the Zacuto Z-Finder. Continuing my long tradition of ill-timed purchases, Zacuto released not one, but two new versions of the finder a couple of weeks after I purchased mine but I’m not bitter…

I’ve had the opportunity to use the finder in a number of settings. A majority of my work is shooting business videos and currently the 5D is my go to camera for b-roll. I’ve also used it to shoot live concert footage, which required me to be moving around a lot and working quickly to get critical focus on shot after shot.

I also used the finder to do a variety of outdoor shoots, both video and photography. When Live View arrived with my 40D I never really considered its value until I discovered the 5x magnification feature when doing sone landscape work. Ever since I’ve been a big fan of Live View as part of my composition process for certain types of images.

Here are a few notes you may find of value…

The newer finders have changed the mounting scheme, but my version affixes itself to the LCD cover glass with a strong adhesive.  They say it will pop off cleanly if needed.  (We’ll see about that.)  The result is that you get a piece of plastic that creates a little window shade over the LCD and creates a small “traffic problem” around the control buttons.  You can still get them, but not as easily as before.  I wear glasses (which we’ll talk about in a minute) and the mount bumps into my optics when I’m using the regular viewfinder.  Nothing serious, but you know its there.

As a myopic photographer and, getting up in age, I’ve been wearing progressive lenses for a few years now. My current prescription is apparently just outside the error bars of what Zacuto considers normal vision, so I had to order a set of extension plates — essentially spacers that stack on the finder body.  You can see them here:

The extension plates work as advertised, but they carry a small penalty that I need to develop a workaround for.  The plates attach via friction — they snap into the existing viewfinder body.   Whenever you design something to join together solely with friction there is a natural affinity to which joint will break first.  In my case, when I remove the viewfinder the extension plates stay with the camera and not the viewfinder (see below) and this, frankly, sucks.

So I’m going to end up either taping or gluing the extension plates to the viewfinder body so that they stay with it and not the camera because they simply get in the way when they stay attached to the camera.

Here is, as far as I’m concerned, a mandatory addition to what Zacuto provides with the viewfinder:

It’s just a short bit of elastic cording tied to the finder and a loop for the camera strap. But man, oh, man is it important.

I only had the viewfinder a few hours in the field when it took its first dive to the ground.  When traveling around on a tripod, especially when out in the field, I heave the whole camera/lens/tripod over my shoulder and invariably it will rotate unexpectedly and I will bump the viewfinder on the way up or down.

So I quickly rigged up a safety line, made from elastic cord, that keeps the errant viewfinder relatively attached to the camera.  I use OpTech camera straps, so it is very easy to attach/unattach the elastic when needed.

The photo to the right shows the safety system in practice.

I originally rigged this up because of my woes when walking through the woods with the rig, but I quickly discovered that when I am working with the camera on a shoot I may accidentally bump the viewfinder more than I think I should and this little 10 cent piece of elastic has probably saved the viewfinder from damage and has certainly prevented it from ending up in a river (yes I bumped it once while setting up the camera while standing in running water).

[Note: The Z-Finder comes with a lanyard / neck strap -- but I just can't work that way...  so it's not as if Zacuto hadn't thought of this problem entirely -- their solution just doesn't fit my work style.   I suspect they will produce something similar to what I'm using in the future and charge $25 for it.]

The elastic is also just long enough that I can stow the viewfinder next to the camera in my bag and keep everything attached to each other so it goes in and out of the bag easily (that’s the 5D at the bottom of the photo):

The new generation of the Zacuto finders have coatings that prevent or deter fogging.  I think this feature I will miss because I certainly have had my share of fogging situations and I haven’t even had a chance to use it in the colder months.  I’m hoping that Catcrap will help, but I’m not going to bet the farm on that.   (To be fair, my glasses fog up just as badly so I’m pretty much screwed either way..)

As to the performance, it works very well.  I’m able to use the viewfinder as a point of contact, greatly improving the camera stability for handheld shooting.   The eyepiece is very comfortable, even with glasses.   The rubber eyepiece attracts dust and dirt, so if you are in the field you’ll want to pay attention to what’s building up on it — again especially if you are mashing your eyeglasses against it.   Fortunately the eyepiece easily detaches and can be quickly washed/rinsed.

I have to admit that with the addition of this viewfinder I actually prefer using it over the optical viewfinder — for certain types of shooting.  The ability to have the histogram displayed live along with composition lines, 5x and 10x magnification, and other data is pretty cool — and they can be made to disappear with the push of a button.   As the resolution of the rear-panel displays inevitably increases I can see how electronic viewfinders may well rival the optical ones — particularly for the more contemplative shooting styles.

The Z-Finder is now part of my standard field kit and I’m looking forward to purchasing another mounting bracket for the 7D.  Much to my chagrin the Zacuto mounting plate and the Hoodman HoodLoupe are exactly the same size so the opportunity to “soft dock” the HoodLoupe on the Zacuto plate is lost.  Maybe I’ll rig some sort of  adapter — you can do anything with gaffer’s tape, right?

Here are a few more photos of the Zacuto Z-Finder and the Hoodman HoodLoupe for comparison:






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Exploring the Power of Water 1


Nature has given me a chance to do a bit of a personal workshop on the power of water.  In case you didn’t hear, we’ve had a bit of rain here in central Massachusetts the past few days (5 inches in 2 days and a bit more coming).

The Assabet River flows through my backyard and we live by the section which has the most intense rapids pretty much for the entire length of the river.  Normally the river is pretty tranquil, but it has been roaring the past 24 hours as it approaches what may be a crest that puts it in the top 10 for the past 50 years or so.

While I think I do a pretty decent job conveying the river’s beauty when it is quiet, I’ve struggled with finding the right combination of exposure and angle when it is flowing briskly.  Translating this:

[qt:/video/20102-263-4614.mp4 640 360]

into a still image that conveys that power and intensity is difficult.

I only had a couple hours today to work out back, but I’ll have a good chunk of the afternoon tomorrow and most of Sunday to do some exhaustive studies on the river when it is close to bursting at the seams.  I’ll be sharing the results here and hope they will be of interest to folks in a similar situation.   I’m also going to be playing with video as well.

Above:

Canon 5D Mark 2, ISO 100, 70-200mm f/2.8L at 200mm, polarizing filter.

First exposure is 2 seconds at f/14.  Second exposure is 15 seconds at f/14 (additional 3-stop ND filter).

Video: Canon 5D Mark 2 (exposure unrecorded).  No post-processing (other than resizing for blog).

Processed with Lightroom: strong contrast, fair amount of clarity and vibrance.  Creative tweak: fill light and black point both around 45.  A rather cool effect.

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